In Safe Hands Charles Schreyvogel Print design and a new culture of

and a new culture of dissent had begun to flourish

reluctant jurors

embroidered on a cotton twill bucket hat

that's a conversation starter worth its weight in gold bats

In Safe Hands Charles Schreyvogel Print design and a new culture ofSchreyvogel, like his contemporary Remington, based his portrayals of cowboys and cavalrymen on a combination of firsthand experience and fantasy. Between 1893 and 1905 he made frequent visits to the western states and territories, collecting American Indian and military material for the authentically detailed paintings he produced in his Hoboken, New Jersey, studio. At the time of his unexpected death from blood poisoning in 1912, Charles Schreyvogel